10 minutos begins with a conversation that cannot be heard but with content that can be intuited through a partial plastic reconstruction. A silent video reproduces said conversation and is set yuxtaposed to an artist’s book composed of a manuscript that gathers the recollection of one of the conversation participants, and a photographic series that illustrates the gaze the other one. Through delicate materiality and semantic ambiguity, this work seeks to play with how the invisibilization of different fractions of information fosters an active gaze and leads to a kind of reading that becomes expansive in its indefinition.